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CARMILLA: A VAMPIRE ROMANCE (Worldwide Gothic Bestseller) by S. Le Fanu Paranormal Romance

[Influential Precursor to Such Modern Authors and Books as Bram Stoker's Dracula, Stephanie Meyer's Twilight, Eclipse, New Moon, Breaking Dawn and Anne Rice's Interview with the Vampire



"Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyes she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, and you and I are one for ever"."




Carmilla is a Gothic Vampire romance by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by 25 years, and has been adapted many times for cinema.

The story is presented by Le Fanu as part of the casebook of Dr Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature.[2] The story is narrated by Laura, one of the two main protagonists of the tale.

Laura begins her tale by relating her childhood in a "picturesque and solitary" castle in the midst of an extensive forest in Styria where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she is six years old, Laura has a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her.

12 years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later.

Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura's home unexpectedly brings a girl of Laura's age into the family's care. Her name is Carmilla. Both girls instantly recognize the other from the 'dream' they both had when they were young.

Carmilla appears injured after her carriage accident, but her mysterious mother informs Laura's father that her journey is urgent and cannot be delayed. She arranges to leave her daughter with Laura and her father until she can return in three months. Before she leaves she sternly notes that her daughter will not disclose any information whatsoever about her family, past, or herself and that Carmilla is of sound mind. Laura comments that this information seems needless to say, and her father laughs it off.

Carmilla and Laura grow to be very close friends, but occasionally Carmilla's mood abruptly changes. She sometimes makes unsettling romantic advances towards Laura. Carmilla refuses to tell anything about herself or her background, despite questioning from Laura. Her secrecy isn't the only mysterious thing about her. Carmilla sleeps much of the day, and seems to sleepwalk at night. When a funeral procession passes by the two girls and Laura begins singing a hymn, Carmilla bursts out in rage and scolds Laura for singing a Christian song. When a shipment of family heirloom restored portraits arrives at the castle, Laura finds one of her ancestors, "Mircalla, Countess Karnstein", dated 1698. The portrait resembles Carmilla exactly, down to the mole on her neck.

During Carmilla's stay, Laura has nightmares of a fiendish cat-like beast entering her room at night and biting her on the chest. The beast then takes the form of a female figure and disappears through the door without opening it. Laura's health declines and her father has a doctor examine her. He speaks privately with her father and only asks that Laura never be left unattended ...



Le Fanu (28 August 1814 – 7 February 1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era.

Le Fanu worked in many genres but remains best known for his mystery and horror fiction. He was a meticulous craftsman and frequently reworked plots and ideas from his earlier writing in subsequent pieces. Many of his novels, for example, are expansions and refinements of earlier short stories. He specialised in tone and effect rather than "shock horror", and liked to leave important details unexplained and mysterious. He avoided overt supernatural effects: in most of his major works, the supernatural is strongly implied but a "natural" explanation is also possible.

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