Blockbusters and Trade Wars
Popular Culture in a Globalized World
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This is the first book from a Canadian perspective to investigate the facts about where and how cultural artifacts are created, why they are so different from other manufactured products, and why they must be treated differently. Grant and Wood examine how much the nature and size of a cultural industry’s owner(s) matters; what "national" really means; how content quotas, expenditure rules and government subsidies help and hinder cultural industries; and why a new international vision must prevail. At the same time, they take a look at competition law and how it can promote diversity while examining how freedom of expression and cultural diversity are inextricably linked.
Clearly written, impeccably researched, and passionately argued.
- D & M Publishers, December 2009
Douglas & McIntyre
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