Four stories, spanning a period of over fifty years, complete the biographies of the two main characters in DEATH OF A NATIONALIST; Carlos Tejada Alonso y Leon, and Gonzalo Llorente.
"The Big Picture"
New York, 1949: Since the death of his love and his dreams in Spain ten years earlier, Gonzalo Llorente has made sure that he cares for nothing. But among the flood of Puerto Rican immigrants to East Harlem, he finds two who threaten to shake him out of his apathy. A strong-willed girl and a needy child make him begin to wonder whether life is worth living, even away from Spain, and without his beloved Viviana.
Madrid, 1981: Carlos Tejada has spent the last five years living with his wife in quiet retirement, doting on his grandchildren, and shaking his head over the direction of the newly democratic Spain. His friendly political arguments with his oldest grandson take on a new urgency when members of his own Guardia Civil lead a coup d'etat that recalls unpleasant memories of 1936. Tejada must once again choose where his loyalties lie, haunted by the fear that the people he loves most in the world will suffer for his old sins.
"The New World"
San Juan, Puerto Rico, 1983: Carlito is a university student from Madrid, collecting oral histories of the Spanish Civil War for his thesis. During a winter vacation in the Caribbean, he seeks out a Spanish Republican exile who is an acquaintance of his family. When Carlito meets Gonzalo Llorente, he comes face to face with his family's past. Gonzalo, on the other hand, must decide how and what to tell of his own life to the boy who introduces himself as "Carlos Tejada" - and has no idea that his grandfather and namesake was once Gonzalo's greatest enemy.
"The Twenty Four Hour Limit"
Madrid, 2003: "If something does go wrong, try to give us twenty-four hours." The guerrillas who resisted Franco's dictatorship all knew that they had to withstand twenty four hours of torture if captured, to give their comrades a chance to get away. The guardias civiles who questioned them knew it too. In a Spain of cell phones and skyscrapers, where the peseta has given way to the euro, and the dictatorship is a distant memory, few people know about the twenty four hour limit. Carlos Tejada Alonso y Leon still remembers the rules though. And his memories force Aleja Palomino to look beyond the bright lights of the Madrid she loves to the darkness of the past one last time.
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