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The book comprises a selection of some 750 letters of the composer Ralph Vaughan Williams selected from an extant corpus of about 3300. The letters are arranged chronologically and have been chosen to provide a cumulative pen-picture of the composer in his own words. In general the letters reflect VW's major preoccupations: musical personal and political. It was not VW's way to discuss his inner creative processes but he does discuss his music once it had been written: forexample there is much to illustrate the process of 'washing the face' of his major pieces before and after they had reached the concert platform. There is correspondence with collaborators such as Gilbert Murray Harold Child and Evelyn Sharpe who provided texts; with his publishers (mainly OUP) aboutprinting scores and parts; with conductors such as Adrian Boult and John Barbirolli about performances. He was in regular correspondence with fellow composers such as Gustav Holst George Butterworth Gerald Finzi Herbert Howells John Ireland Alan Bush and Rutland Boughton. There were his pupils: Elizabeth Maconchy and Cedric Thorpe Davie amongst others. A series of close personal friendships is well represented: his Cambridge contemporary and cousin Ralph Wedgwood Edward Dent and latterlyMichael Kennedy. Above all there are insights on his lifelong devotion to his first wife Adeline and his growing friendship with Ursula Wood who was to become his second wife.

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