Foreign Bodies, Their Ingestion, Inspiration, and the Curious Doctor Who Extracted Them
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Mary Cappello uses Jackson's collection as a starting point for a lyrical, sympathetic exploration of swallowing-its meanings, its assumptions, its experiences, even its rhetoric. She restores the narratives, lives, and desires of the physician-artist Dr. Chevalier Jackson and his patients who haunt this uncanny collection and uncovers a history of racism and violence, of forced ingestion and "hysteria" (such as the woman who swallowed 26 open safety pins that interlocked in her stomach, along with a 4-meter length of string), of class and poverty that left children to bank their family's last quarters in their mouths (such as the boy whose father broke his arm when he failed to return from the hospital with the quarter he had swallowed). In Swallow, Cappello brings her original sensibility to bear on Jackson's 1938 autobiography as she highlights the achievements of this activist-inventor, probes his traumatic childhood, and brilliantly retells a life story rife with marvelous forms of rescue.
As with Lawrence Weschler's Mr. Wilson's Cabinet of Wonders, in Swallow a collection of objects forms a surprising narrative that journeys deep into the nature of human experience. A literary and psychological exploration, the book seeks to understand rather than gawk at sword swallowers, women who lunched on hardware, and a boy who wasn’t saved because he wasn't believed. Cappello invites us to enter the seat of human appetite, language, aggression, breath, and even knowledge-the human mouth-in an original and creative tour de force.
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by Mary Cappello
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by Mary Cappello
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by on October 28, 2016
- The New Press, December 2010
The New Press
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