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Synopsis

The boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. Horror Noire presents a critical history of blackness and American horror, from early cinema to the present. Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, examines key levels of black paricipation on screen and behind the camera, and unpacks the genre’s racialized imagery and narratives that make up popular culture’s commentary on race.

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